reviews

"A veritable magician with sound..."

(Martin Denton, nytheatre.com)


" ...hysteria-inducing drum rolls..."

(Glenn Sumi, NOW Magazine)


"Richard Windeyer's sound design, heard on headphones in a sort of chuppah that the group has assembled in the park, does a lot to turn the ambience into a source of pleasure. By equipping the actors with radio mikes, he enables the boxed-in audience to hear the cast's whispered lines, their feet crunching through the snow, and their labored breathing amid an eerie soundtrack."

(The Village Voice, review of Death By Water)


" ...fine-grained listening from the shore of a lake-scape perturbed for a moment by a motorboat;.."

(Jean-François Delannoy, eContact! 1.4 Ecologie acoustique/Acoustic Ecology)


" ...highly imaginative work...a clever blend of music, sounds, and imagery..."

(Musicworks Magazine reviewing A Soniferous Garden)


" A true highlight of the day...a most restful melange, a dream-like impressionistic experience part today and part yesteryear... A magical experience."

(The Kitchener-Waterloo Record reviewing A Soniferous Garden)

:

"...this deftly woven tribute to [the ship's] passing wound down gently, infusing a horrible event with a touch of magic that did indeed border on reverence."

(The Kitchener-Waterloo Record reviewing The Sinking of the Titanic)


articles

Still Ringing: Sounds Collaborative
(
Canadian Theatre Review, Issue 129: Sound Design: Notes Toward a Practice)
BRUCE BARTON describes the work of Bluemouth Inc. soundscape artist Richard Windeyer, and queries the relationship between his sound installation work and his contributions to the company’s collective, site-specific productions.